SNAPPD

Continuity

Most AI feeds look like twelve strangers’ work. Yours shouldn’t.

The problem

Generate ten posts from ten prompts and you get ten unrelated pictures. Same logo, no relationship. The eye reads that as noise, and a feed of noise doesn’t build a brand.

The surface

Your brand kit

Fonts, accent colour, palette, headline casing, wordmark and logo chrome. Import it from your website or from reference images, then every deck inherits it.

The canon

Your brand universe

The authored world your posts live in: the setting, the visual grammar, the tone, the motifs that recur, the cast that appears, and the list of things that must never show up. You approve it once. After that, every deck is built inside it rather than beside it.

The grade

Your saved look

The finish: light, palette, materials, the treatment that makes a picture recognisably yours. Carried forward automatically, changed when you choose to change it.

The ledger

A cast that comes back

Snappd keeps a ledger of the characters and objects it has used for you, and pulls from it again. A recurring object across a month of posts does more brand work than a logo in the corner ever will.

One brand, two worlds

Same brand. Nothing in common but the brand.

Both of these are Pharos. They share an accent colour, a voice and a level of discipline, and not a single object, setting or prop. Swipe either one — the world holds for nine or ten slides, then the next deck builds a different one.

A machinist’s measuring bench

A pale spec sheet clamped under a dial gauge on a machinist’s comparator stand.

Pharos — 10 slides

hook

Slide 1 of 10. 70% of buyers ask AI first. Most brands don’t show up.

A wet night customs checkpoint

Wooden crates on a wet night dock, stencilled SEIZED in teal.

Pharos — 9 slides

hook

Slide 1 of 9. Some brands clear. Most get seized.

The exhibit

One brief. Five worlds.

Every cover below is the same post about the same product. The only thing that changed is the world Snappd built it in.

  • Carousel cover — a chromatography bench with lit sample columns, the headline set into the apparatus.

    The lab

  • Carousel cover — a candlelit cartographer’s study, charts and dividers on the desk, the headline lettered onto the map.

    The cartographer

  • Carousel cover — a tuna on a wet dock at dawn with a numbered auction tag on its tail, headline “First lot called”.

    The market

  • Carousel cover — a suitcase on an airport baggage conveyor holding a page wireframe tagged “clearance granted”, headline “Most pages never board”.

    The terminal

  • Carousel cover — a rain-slicked city street split between a lit billboard district and a dark one, headline “You rank on Google — but you’re missing from the answers”.

    The avenue

What that buys you

Someone who sees your fourth post recognises your seventh without reading the handle. That is the whole game, and it’s the part a template tool can’t do.

Set the world once. Every deck comes out inside it.

Start freeSee the output

Three carousels free. No card.